Wednesday, July 1, 2026

Broadway Summer Turns Nasty as “The Cher Show,” “King Kong,” “The Prom” Join Several Other Big Ticket Shows Unable to Make It

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Summer can be cruel on Broadway — especially if there are no Tony Awards in mid June for shows that are suffering at the box office.

First up is “The Cher Show,” which struggled all winter and spring. Receipts were never great. At one point Cher herself went on the promo war path. She gave Jimmy Fallon’s The Tonight Show a full hour. Nothing worked. “The Cher Show” will close in mid August. It will resurface one day in a slimmed down version where it belongs, in Las Vegas.

Also closing is “King Kong,” which cost millions, was dreadful, got no love from the Tonys and was slated to be captured and killed. Putting “King Kong” out of its misery is the sensible and humane thing to do.

Already announced closing is “The Prom,” a little musical that tried so hard. Ryan Murphy is making a film of it for Netflix, reportedly with Meryl Streep, Nicole Kidman, and James Corden.  I feel bad for the Tony-nominated cast including Beth Leavel. They will be swept away by big movie stars.

Gone in the last couple of weeks are all the Scott Rudin produced plays: “King Lear,” “Gary,” and “Hillary and Clinton.”

The Tony winning play “The Ferryman” is set to shut down soon. So is “Be More Chill,” another unloved musical from this season.

The scorecard for the 2018-19 season is pretty bad, overall. “My Fair Lady” at Lincoln Center will also take its final bow shortly.

Strangely enough, two holdovers are doing all right despite less than enthusiastic notices. “Pretty Woman” is coming up on its one year anniversary. And “Mean Girls” seems to be holding its own although I doubt many New York theatregoers realize it’s still playing from last season. Both shows are based on movies with big followings.

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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