Saturday, May 23, 2026

TV Ratings: “The Voice” Vanquishes New “American Idol” Again by 3 Million Viewers in Head to Head Competition

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It does seem like the competition between “The Voice” and the new “American Idol” is turning into a weekly war won by the former not the latter.

On Monday nights, “The Voice” and the second night of “American Idol” overlap these days. And each time “The Voice” wins by 3 million viewers.

Last night was no exception. Again, “Idol” came in around 7.6 million viewers. “The Voice” had 10.3 million million. It’s give or take, but you can see the pattern from week to week. “American Idol” has found its audience on ABC. It’s about half of what it used to have on Fox in its heyday. The “Idol” audience skews older too.  It’s like an old comfortable slipper. “The Voice” is the new shiny penny. (Lots of cliches here.) The audience is a little younger.

Let’s be clear: neither show is hip. They are each serving mainstream, very broad entertainment. None of it is cutting edge.

But “The Voice” looks more like a game show. The judges’ chairs move around. It’s more about the production than the players. “Idol” still seems more like an earnest attempt to find really good singers. And so you make your choice.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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