Monday, May 25, 2026

Beautiful, Classic, Rave Reviewed “Blade Runner 2049” May Be Too Good for Mainstream Audience

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Who woulda thunk it? Denis Villeneuve’s brilliant “Blade Runner 2049” is not doing business the way we thought it would.

After a big Thursday night, “2049” had a weak Friday. Now predictions are a tepid weekend of $35 million.

The return of Harrison Ford, the really inspired performance of Ryan Gosling, and the gorgeous cinematography of Roger Deakins all together have not driven audiences in massive numbers to the theater.

I’m starting to think the audience just isn’t that smart anymore. Or the smart audience doesn’t want to leave their homes because they’re either too lazy or too accustomed to Netflix.

Either way, they are missing a truly mesmerizing, wonderful moment in cinema.

But it is possible that “2049,” which is long, and can be slow in places, is simply too much for an ADD audience. Villeneuve makes contemplative movies. You can’t check your email or text during them. You have to pay attention. For “2049” you don’t need to know too much backstory, by the way, so that’s no excuse. You just have to commit to a great filmic experience.

Will Roger Deakins win his Oscar this time? I think there’s a pretty good chance. There are frames and set pieces in “2049” that will take your breath away, I’m going back to see it in IMAX asap. For anyone who’s putting it off, go tonight. You will not be disappointed.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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