Sunday, June 21, 2026

Robin Hood Screens in NYC For First Time

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Ridley Scott‘s “Robin Hood” screened in New York last night for the first time. I’m told it was for an audience of junketeers and maybe some “real people” in a focus group.

The verdict? It works. This will be good news for Universal Pictures and Ron Meyer. This movie has cost so much to make that I’m told it might need to make as much as $500 million to earn out. (It cost at least $250 mil.) At that rate, Robin Hood will have to rob the rich (everyone at the box office) to help Universal stay solvent.

Don’t forget: it had many expensive lives before Scott and Crowe went to work on it. All those costs are charged to the film. For example, Brian Helgeland is credited with the screenplay. But Tom Stoppard did a polish on it. And Helgeland was preceded by others.

Another big expense: moving the press junket to Los Angeles and New York from London because of the Iceland volcano.

A decidedly subjective audience member does say that the there was much appropriate laughter during the screening. Russell Crowe and Cate Blanchett have good chemistry, they say, Oscar Isaac, as Prince John, got high marks as a breakout actor. Altogether: “Robin Hood” looks poised for a big opening following its premiere in Cannes on May 12th.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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