Monday, June 22, 2026

Warren Beatty Readies Howard Hughes Movie at Paramount

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Big news today but under-reported: Warren Beatty has indeed signed to make a movie at Paramount Pictures. He’ll write, direct and star. But what hasn’t been said: Beatty will finally deliver his Howard Hughes biopic, in the works for at least 25 years. Beatty first got involved with a Hughes project in the mid 1980s. He even had a script back then, written with Elaine May–with whom he’d endured the interminable “Ishtar.”

But Beatty, the perfectionist, moved on to other things–like “Bullworth,” “Love Affair,” and “Town and Country.” Now he’s ready. I had even heard a story recently that he was offered a chance to act in a romantic comedy that sounded very promising. But Beatty declined, saying he was embarking at last on “Hughes.”

At least two studios were interested. But I do think Warren made a great choice with Paramount–he’ll need a big, organized studio to pull off this ambitious film. He could have another “Reds” on his hands–one of the great films of all time, and one for which he won an Oscar.

PS The casting for “Hughes” should be pretty competitive. The script would call for a younger Hughes to be cast at least for flashbacks, if nothing else. A young Warren Beatty–that’s a tall order for any actor!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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