Thursday, July 9, 2026

Hilary Duff’s Comeback Album Will Finish 3rd for the Week with Almost No Streaming and No Break Out Single

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Hilary Duff’s comeback looks a mixed bag.

Duff, 38, is trying to return as a pop star. Her new album, “Luck…or something,” is sitting at the top of the iTunes album chart today.

But who’s buying it, and what is the sales picture? Unclear.

Duff is drawing older fans who know her from the TV series “Lizzie McGuire” and “Younger.” Actual young people are not buying it, maybe because “Luck” sounds like it was made 18 years ago and bears little relationship to modern pop.

Right, hitsdailydouble.com is predicting sales of 80,000 and a third place finish for the week. Almost all of those sales are CDs or paid downloads. There’s almost no streaming. No “Luck” tracks have hit Spotify, a sign that young people aren’t into it.

What’s more, no breakout track has appeared on the iTunes top 100 singles chart. That’s alarming because to really be a hit, singles have to be pouring out of the album. But Duff’s crowd is very limited. And that may signal a quick fall down the charts.

I’ve listened to “Luck,” and it’s unfortunately very average. There’s no excitement and nothing new, just a straight ahead homage to 2015 the last time she released an album.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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