Wednesday, June 17, 2026

Melania Movie Box Office Collapses Over Weekend, Takes $7 Mil Total as Curiosity Wanes for $75 Mil Infomercial

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As predicted, “Melania” is a bust.

After opening day curiosity brought in $2.9 million, box office collapsed.

The total take was just $7 million, with significant drops Saturday and Sunday.

Amazon MGM’s $75 million budget is out the window and down the tube’s. There’s no audience for a self serving infomercial about a hollow human puppet.

After that initial flush of excitement Saturday morning, reality set in fast. Those Friday night box office numbers came from organized Christian and Republican screenings, and possible ticket sales made online that still led to empty seats.

But even that manipulation could not continue to go on. Drops on Saturday and Sunday of 21% and 20% are not normal, and the total fell a million dollars below the Friday expectation.

“Melania,” made by Brett Ratner, is not a documentary. It doesn’t fulfill the criteria of that genre of filmmaking, and is an insult to all doc filmmakers. It’s merely a vanity project of no particular value except that it keeps Jeff Bezos and his businesses out of trouble with Donald Trump.

The theme music should have been, for Melania Trump, “What a Fool Believes.”

Keep refreshing…

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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