Monday, June 29, 2026

“Saturday Night Live” Return with Finn Wolfhard, ASAP Rocky Plummets from Christmas Show, Hits Season Low Average

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Saturday Night Live has definitely lost ratings steam this year.

After a big opening in October, the show dropped to an average of around 4.1 million for the all season..

The only really bright spot was the Christmas show with Ariana Grande and Cher. Ratings shot up to 5.4 million.

But this past Saturday’s return for the winter session saw a collapse from that high. “Stranger Things” star Finn Wolfhard and musical guest ASAP Rocky brought in just that 4.1 million again.

Upcoming shows with Teyana Taylor and Geese, and Alexander Skarsgard and Cardi B, don’t promise much improvement.

Frankly, Saturday’s episode was a snooze. The first segment after the monologue was incomprehensible. I guess Sabrina Carpenter was featured, but no one over 12 would hasve known from her costume as a kid, to whatever it was they were talking about.

“SNL” isn’t getting the message on the music, either. I know Geese is getting a lot of marketing push, but no one knows who they are. They haven’t had a hit yet. The show needs to bring on acts with some name recognition. That’s why Cher’s show did so well.

Any of these sketches should have come right after the monologue.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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