Saturday, June 27, 2026

“Good Night and Good Luck” Should Make CBS Never Settle Lawsuit with Trump in Keeping with Honored Legacy

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“Good Night and Good Luck” has just concluded its live performance on CNN.

The story of how legendary CBS newsman Edward R. Murrow stared down Senator Joseph McCarthy is more timely than ever. What’s clear is that Roy Cohn, not seen in the play but McCarthy’s lackey, eventually taught Donald Trump the senator’s manner of terrorism.

The play worked better on TV than on the stage of the cavernous Winter Garden Theater. The closeups of George Clooney, who plays Murrow, transformed the production. Perhaps if “Good Night and Good Luck” had been in a human sized theater it would have worked better. But tonight, David Cromer’s production shined.

What Trump is trying to do to CBS now is an eerie parallel to the facts of the play, which took place in 1957. McCarthy thought he could shut Murrow and CBS down through blackmail and ridicule. Now Trump is trying to do the same to “60 Minutes,” a show that was led by a character in tonight’s play, Don Hewitt. If CBS caves now, this entire legacy will be wiped out. It must not happen.

The showing of the play live on CNN was a brilliant idea. Of course, this play in particular speaks to a subject that CNN finds close to the heart. But I hope the network does this again, and replays this production soon.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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