Tuesday, May 20, 2025

Oscars Will Now Allow Generative AI in Films: “The tools neither help nor harm the chances of achieving a nomination”

The Motion Picture Academy says it doesn’t matter if films include Artificial Intelligence.

In a new press release, the Academy says:

  • “In the rules for film eligibility, the following language regarding Generative Artificial Intelligence (AI) has been introduced, as recommended by the Academy’s Science and Technology Council:

With regard to Generative Artificial Intelligence and other digital tools used in the making of the film, the tools neither help nor harm the chances of achieving a nomination. The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.

This is huge because people complained this year of AI in “The Brutalist” and a couple of other films. So here we go to a Brave New World.

Also: In the International Feature Film category, the eligibility requirement regarding creative control has been updated to be inclusive of filmmakers with refugee or asylum status.

Also: Academy members must now watch all nominated films in each category to be eligible to vote in the final round for the Oscars®. All designated nominees will also be included on the final ballot. The submitting country must confirm that creative control of the film was largely in the hands of citizens, residents, or individuals with refugee or asylum status in the submitting country.

Category rules for eligibility and voting for the inaugural Academy Award® for Achievement in Casting have been codified. There will be a preliminary round of voting to determine a shortlist of 10 films, and prior to nominations voting, Casting Directors Branch members will be invited to view a “bake-off” presentation of the shortlisted achievements, including a Q&A with the designated nominees.

Other substantive awards rules changes include:

  • In the rules for film eligibility, the following language regarding Generative Artificial Intelligence (AI) has been introduced, as recommended by the Academy’s Science and Technology Council:

With regard to Generative Artificial Intelligence and other digital tools used in the making of the film, the tools neither help nor harm the chances of achieving a nomination. The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.

  • For consideration in the Best Picture category, films released from January 1, 2025, through June 30, 2025, must have shown proof of submission for Producers Guild of America (PGA) mark certification or awards-only determination no later than September 10, 2025. Films released from July 1, 2025, through December 31, 2025, must have shown proof of submission to the PGA no later than November 13, 2025.
  • In the Animated Short Film category, voting privileges in the nominations round will be extended to all Academy members who opt in to participate. Members must view all 15 shortlisted films to be eligible to vote in the category.
  • ​​​​​​In the Cinematography category, there will now be a preliminary round of voting for the Cinematography award to determine a shortlist of between 10 and 20 films.
  • For the Music categories, there will now be a separate, earlier deadline of Wednesday, October 15, 2025, 5 p.m. PT for song submissions. Original Score submissions will be due no later than Monday, November 3, 2025, at 5 p.m. PT.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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