Saturday, June 27, 2026

Netflix’s $100 Million Quest for an Oscar May Be Doomed by New Academy Plan to Require Theater Releases

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The party may be over for Netflix.

The streaming platform has spent nigh on $100 million over the last decade to get a Best Picture Oscar. This year, all their plans fell apart anyway as their only viable candidate was the German language war film, “All Quiet on the Western Front.” They won Best International Film, but couldn’t compete with the other candidates.

Now, the Academy of Motion Pictures is considering a new rule requiring films to play in theaters in at least 15 of the top 50 markets. Puck, a newsletter, was first to report this yesterday and I’ve confirmed it.

Prior to the pandemic, Netflix and other streaming platforms that didn’t show their movies in theaters were ineligible for Oscars. Then, when people couldn’t go to theaters, the Academy allowed in their films. But the crisis did huge financial damage to theater chains, so when the pandemic subsided, the Academy reverted to its old rules: films had to open in theaters in New York or Los Angeles to quality for the Oscars.

But the theaters have suffered tremendously. Two big houses in Manhattan have announced they’re closing. In Hollywood, the vital ArcLight and Cineramadome are shut. So the Academy may come to the rescue with this plan. If Netflix, Amazon, Hulu want to be in the Oscar business, they’ve got to have moderately wide releases around the country first.

This is a great idea. Already, Amazon, with Paramount, is about to do that with Ben Affleck’s great new movie, “Air.” Now Netflix would have to do that this fall with Bradley Cooper’s “Maestro” — which they will sink millions into for awards — and Apple will have to do the same with Martin Scorsese’s “Killers of the Flower Moon.”

Who wins? The filmmakers, for one. They deserve to get their films off of laptops and phones and back on the big screen. The theater owners will finally get their customers back. And the streamers will still get lots of subscribers out of it.

Netflix must be having a fit at this point. They still can’t get into Cannes competition because as festival leader Thierry Fremaux says, they’re committed to movies in theaters. Already Netflix faced a defeat when Apple, in 2022, won Best Picture with “CODA.” But they will have to adapt to the new rules so that the entire industry, not just them, benefits from releases.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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