Tuesday, June 23, 2026

Vanity Fair Follows Oprah Magazine with Breonna Taylor Cover, Debuts Black-Centric Issue But Does Their Audience Want It?

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Last month, Oprah’s O Magazine put Breonna Taylor on the cover. The African American woman was murdered in her own home by police on March 13, 2020 and no one has been arrested. It was the first time Oprah herself wasn’t the cover subject. Brilliant.

Now, Vanity Fair has followed Oprah’s lead and put Taylor on their cover. Instead of a photograph of Taylor, they commissioned a painting.

The September issue of Vanity Fair is black centric, guest edited by Ta-Nehisi Coates, with stories and contributions by at least 40 African American writers whose names are largely unknown to Vanity Fair readers. It’s an unusual move for editor Radhika Jones, who’s facing declining circulation and low online numbers. She’s clearly aiming for magazine awards, a la the New York Times Magazine’s historic 1619 project. The question is, Do Vanity Fair readers want this?

Coates writes of Black Lives Matter in his searing Guest Editor’s Letter: “A thousand Eric Garners will be tolerated, so long as they are strangled to death in the shadows of the American carceral system, the most sprawling gulag known to man. And so evil does its business in the shadows…”

Last month, Oscar, Tony and Emmy winner Viola Davis — one of my favorite all time people — graced Vanity Fair’s cover. Change is here. The old Vanity Fair of Graydon Carter and Tina Brown is officially dead. Jones is declaring that and so is Conde Nast. Today we are seeing the grisly video of police shooting Jacob Blake in the back as he’s in his car with his three sons. There is no going back. No more celebrating white wealth and whim.

I’m looking forward to reading “The Great Fire” issue — and seeing “carceral” become a word that Microsoft 360 doesn’t run a wavy red line under.

Vanity Fair video

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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