Saturday, July 4, 2026

Oscars 2014: The Top Ten and a Couple More as of This Morning

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Oscar race update: now that things are getting clearer, where are we? “The Monuments Men” and “Foxcatcher” are out of the race. “The Wolf of Wall Street” is back in, but no one’s seen it. “American Hustle” is probably in it, but no one’s seen that either. And as I’ve said before, “American Hustle” is unlikely as a Best Picture winner simply because “Argo” just won, and was a 70s true life “caper” movie. Two in a row? I don’t think so. But that doesn’t mean “AH” won’t be great.

And I am leaving “Rush” on the list. It would be a shame to ignore this film because of weak box office. Ron Howard did a superlative job. Daniel Bruhl deserves a Best Supporting Actor nod. Remember: films that win critics awards don’t repeat with the Academy. And “Gravity” has now made so much money, and will make so much more, that it could be the “Avatar” of 2014.

So where are we? Of the movies that have been seen, these are the top choices, in loose order:

1. 12 Years a Slave

2. Gravity

3. Lee Daniels’ The Butler

4. August: Osage County

5. Captain Phillips

6. Nebraska

7. Inside Llewyn Davis

8. Fruitvale Station

9. Blue Jasmine

10. Philomena

11. Mandela

12. Dallas Buyers Club

13. The Book Thief

14. All is Lost

15. Saving Mr. Banks

16. Rush

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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