Monday, June 22, 2026

Addams Family Pre-Bway Opening A Smash

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The Broadway musical version of “The Addams Family” is a smash.

Last week, in previews, “The Addams Family”  had the second highest gross with $1,192,213–finishing just behind “Wicked” at #1 and just ahead of “The Lion King.” It hasn’t even opened, but the musical is doing business equal to those shows as well as  “Jersey Boys” and “Billy Elliot.”

Some theatre wags are thinking, Hurry, take in as much as you can. Because once the show opens on April 8th, all may change.

Indeed, “The Addams Family” has been plagued by problems. The pair of original directors was replaced by Jerry Zaks, even though the duo’s names are still in Playbill. Zaks remains a ghost-director.

Numbers have been cut, added, reworked, and moved around to try and help stars Nathan Lane and Bebe Neuwirth make sense of their roles as Gomez and Morticia Adams.

Many theatergoers are wondering what exactly is up with Lane, who’s playing Gomez with a terrible and unnecessary Spanish accent. Lane, they say, has trouble lighting a fire with steamy Neuwirth. Remember: Gomez and Morticia always had a sexy relationship.

Neuwirth, on the other hand, is hot. And a new number added for her toward the end, a with a tango dance, finally shows off her dancer’s legs. Previously she spent the show dressed head to toe in Morticia’s trademark black shroud.

Broadway is rooting for “The Addams Family” for one good reason. If it’s a dud upon arrival, then “Memphis” becomes the default Best Musical of 2010. Yikes! This has been a great year for plays but a bad one for original musicals. All the talk has been about revivals like “A Little Night Music.”

Insiders who’ve seen “The Addams Family” tell me it needs to be more like the TV show or the movie, and less about death. “There’s a lot of talk about death,” said one ticket holder. “Too much.” The good news is that the role of Grandmama, played by Jackie Hoffman, may get softened some more. No one who’s seen the show has liked poor Grandmama’s coarse bathroom humor.

Fans of the show will be surprised, I am told, to see little Wednesday Addams grown up old enough to be in a kind of “Birdcage” scenario with the son of a “normal” couple played by Terrence Mann and Carolee Carmello. The latter pair are, at the same time, sort of like Brad and Janet from “Rocky Horror.”

On the plus side: there’s lots of praise for the set. But they still need to add, apparently, Lurch’s pull cord in the living room. And these immortal words: “You rang?”

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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