Saturday, June 20, 2026

Broadway: With Bette Midler Out for a 2nd Week, “Hello, Dolly!” Does Worse Than Revivals of “Cats” and “Miss Saigon”

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Goodbye, Dolly.

Without Bette Midler in the title role, the musical “Hello, Dolly!” fell to unheard of lows last week. The show sold less than half the dollar amount of its capacity– $722K out of a possible $1.5 million. It was down by $214,000 from the previous week, which was way down from its prior week.

The average ticket cost $81. The regular ticket– ha ha ha– costs $748 when Midler is up on stage. But she’s taken a two week vacation, and the result is we see what’s really going on here. Donna Murphy is an award winning, wonderful performer. I’ve no doubt her performance is as good if not better than Midler’s. But when the big star is away, “Hello, Dolly!” is in dire straits.

What’s interesting about this is other musicals, who don’t have marquee names like Midler, are doing much better. But such emphasis has been put on Midler as the star that the show can’t survive without her. What a mess. And this is even with a bunch of Tony Awards including Best Revival of a Musical.

Think about it: “Dolly!” did less well last week than the revivals of “Cats” and “Miss Saigon.” It did only about $25,000 better than the 20 year old revival of “Chicago.” Ouch! 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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