Oscars: How “Django Unchained” Fits into the Academy Award Jigsaw Puzzle
Well, now, we’ve seen Quentin Tarantino’s “Django Unchained.” Technically, there’s a reviewing embargo until something like December 15th. So I can’t review it or tell you much about it except that it’s a kind of soul food spaghetti Western with a mad dash of Mel Brooks. Without getting into too much detail, though, it’s time to fit “Django” into the big Academy Award jigsaw puzzle. Today we’re going to have voting from the mostly irrelevant National Board of Review followed by the Los Angeles Film Critics. Other cities’ critics groups are going to start announcing their awards, followed by the Golden Globe nominations on the 13th. The Oscar nominations won’t be announced until January 10th. But everyone wants to know what to do, who goes into what category, etc.
So far the Best Picture category–10 choices– would be — in no particular order– Argo, Silver Linings Playbook. Lincoln, Zero Dark Thirty, Les Miserables, Best Exotic Marigold Hotel. The Master, and then choices among Amour, Rust & Bone, The Sessions, Beasts of the Southern Wild, Skyfall, and now Django. There’s no question that Django could be among the top 10. And Tarantino must be considered as Best Director. Whether you like his oeuvre or not, there’s a masterful and mature quality now to what he’s doing. Plus, his Q&A last night before several groups really demonstrated his overall brilliant comprehension of filmmaking. He’s somehow become more fascinating than ever. With Spielberg, Affleck Russell, Hooper and Bigelow, Paul Thomas Anderson ahead of him, Tarantino is not going to be out of the discussion.
The actors: I know there’s a push for Leonardo DiCaprio for Best Supporting Actor. This is not out of the question. DiCaprio is also full of surprises, and underrated too often. Go back and watch Blood Diamonds or J. Edgar or The Aviator. He is the rare combination of a movie star and an actor. As he gets older, he’s going to function more and more as a character actor, a la Jack Nicholson.
Jamie Foxx and Christoph Waltz are superb in “Django.” They function as a team as much as Joaquin Phoenix and Philip Seymour Hoffman in “The Master.” They have a special magic. I don’t know what to do with them. The lead actor category is very full already– Phoenix, Daniel Day Lewis, Denzel Washington, John Hawkes, Hugh Jackman. Who do you take out? Who do you put in? It’s a killer. Foxx’s character, as you’ll see in the film, has the biggest arc and grows the most. Waltz, however, is sparkling. When Tarantino found him, he must have thanked his lucky stars.
One thing’s for sure: there is great music in “Django.” I think their song nominee is “Who Did That to You?” by John Legend, written with Paul Epworth. That, plus “Suddenly” from “Les Miz” and the five songs listed on our front page poll, gives us at least seven terrific songs this season. A bumper crop, to be sure.
Saw Django last weekend. My fav movie of the year so far by far, though still haven’t seen 0D30 or Les Miz. Django is exhilarating filmmaking working on so many levels at once that I haven’t stopped thinking about it for days after and am eager to see it again. One note though: If you know you’re going to see it, skip the trailers, especially the most recent ones. It was MUCH more fun to be totally surprised. (And I am very very rarely surprised at the movies.)
You’re just assuming Les Miserables is going to get award nominations because it’s directed by Tom Hooper and has a good cast. Wait until all of the movies have been released before you make your stupid predictions.
[…] but “Django Unchained” has been getting major buzz lately and even the words “Oscar nominations” have been swirling around the film so I had to dig further and see what the fuss was […]
can’t wait to see that movie…
Just saw the Django screening last night at the Palisades Mall here in NY and found this movie to be very amusing, touching, action-packed all in a 2 1/2 hr film. It was breathtaking and it never stops while keeping the audience guessing whats next. This is truly a masterpiece in my opinion and I will be seeing it again when it officially comes out.