Wednesday, May 20, 2026

What “Melancholia” Director Said About Being a Nazi, Making Porn

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This is what Danish director Lars von Trier said at the Cannes press conference today for his movie “Melancholia.” Mind you, he said this after saying that maybe his movie was “crap.” He also went on and on about wanting to make a three to four hour porn movie with co-stars Kirsten Dunst and Charlotte Gainsbourg. The whole thing was nuts. Two years ago, von Trier brought his “Anti Christ’ here, the worst and most offensive movie many people had ever seen.

“For a long time I was a Jew and I was happy to be a Jew, then I met Susanne Bier [Danish director and winner of  Best Foreign Language Oscar and I wasn’t so happy. But then I found out I was actually a Nazi. My family was German. That also gave me pleasure. What can I say? I understand Hitler. I sympathize with him a bit.”

“I don’t mean I’m in favor of World War II and I’m not against Jews, not even Susanne Bier. In fact I’m very much in favor of them. All Jews. Well, Israel is a pain in the ass [pause] … How can I get out of this sentence? OK, I’m a Nazi.”

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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