The Hamptons Film Festival schedule is up, and it’s quite exciting.

The fest secured Bradley Cooper’s “Maestro” for closing night, plus a raft of heavy hitters including George C. Wolfe’s “Rustin,” Alex Gibney’s Paul Simon doc, and Jake Sumner’s great film about concert impresario Ron Delsener. A big attraction coming is Alexander Payne’s “The Holdovers” starring Paul Giamatti, which is so good there will be lines around the block!

Simon will turn up for a Q&A as well.

Netflix has a heavy hand in the proceedings. Along with “Rustin” and “Maestro,” they also have the opening night film, “Nyad,” plus Todd Haynes’ “May December” starring local actress Julianne Moore. They are all being touted for Best Picture nominations. “Nyad” is exceptional– well so is “Rustin.” (Haven’t seen the other two yet.)

I’m really excited to see “Orlando, My Political Biography,” directed by Paul B. Preciado, which tells stories of transition through unique reenactments and visual interpretations of Virginia Woolf’s “Orlando.” It’s my favorite of Woolf’s novels. Read it before the festival, it will blow your mind!

I’m also curious to see Frederick Wiseman’s “Menus-Plaisirs – Les Troigrois,” which centers on the day-to-night operations of the legendary French restaurant Troisgros, founded 93 years ago and currently being passed down to the 4th generation in a family of chefs.

There are lots of other activities including a tribute to “Past Lives” director Celine Song who will receive the 2023 Breakthrough Artist Award.

The festival runs from October 5th to the 12th. All the info is at  https://hamptonsfilmfest.org/

Thirteen years ago, “Irena’s Vow” had a short run on Broadway starring Tovah Feldshuh. She got good reviews but it didn’t quite work and closed after about 100 performances.

Now writer Dan Gordon has adapted the true life story of a Polish Catholic girl named Irena Gut for film and the material makes more sense. Louise Archambault deftly directs Sophie Nelisse (from Yellowjackets), Dougray Scott, and a cast of Polish actors. It’s a Canadian production shot in Poland and tells how Irena, as a young woman, saved a dozen Jews in Warsaw from being killed by the Nazis.

Gut died in 2003 but before that she was interviewed by Gordon extensively, Her own daughter, and a very much alive older man who is featured in the real life story as a baby, came to the screening in Toronto. “Irena’s Vow” was maybe my favorite film of the whole festival and is now looking for a distributor.

The story will remind you of Anne Frank’s. A young Irena began witnessing atrocities against the Poles– the Jews– by the invading Germans. She hid the dozen Jews– including several couples — in the basement of a mansion occupied by a ranking German official, Major Eduard Rugemeier. She was working in the house as a servant to save herself, eventually became his mistress as a trade off when he discovered what she was up to. When the Russians finally arrived in 1944, Irena went to a displaced persons camp while the major fled with the Germans.

Irena eventually wrote a memoir and was honored in Israel at Yad Vashem for her heroism in 1982. Thirty years later, in 2012, Rugemeier was also honored by Yad Vashem, although his protection of the Jews, I think, had more to do with wanting to keep Irena under his control.

Chemistry is everything in movies, and Archambault has made a seriously gripping film that seems almost like a light-hearted fable but never flinches from the horrors of the Holocaust. Archambault and Gordon introduce her to the Holocaust when a Nazi soldier brutally kills a baby outside a window. Irena is catalyzed from that moment on/

Nelisse is remarkably poised for a 23 year old, she’s an old soul who gets it. Glamorous in person, Nelisse — who has a flat Canadian accent — stuns because her Irena is so vibrantly drawn on screen. She’s a plain girl heroically keeping one step ahead of death — not for herself but for the people she’s decided to protect.

If the old Miramax were still around, Harvey Weinstein (now Public Enemy Number 1) would have turned “Irena’s Vow” into an awards season event. Maybe someone less odious can step up and do that now.