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Idina Menzel Won’t Let it Go: “Wicked” Star Returning to Broadway in 2025

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For Idina Menzel, it’s not “If/When,” it’s spring 2025.

The former star of “Wicked” will return then to Broadway in a new musical called “Redwood.” It’s the story of a grieving woman who drives up to northern California to find solace

Menzel, of course, is famous for singing “Let it Go” from the animated movie, “Frozen.”

She last starred on Broadway in a short lived musical called “If/Then.”

“Redwood” comes to Broadway from the La Jolla Playhouse. Tina Landau will direct.

“I’m so thrilled to be returning to Broadway, and the fact that I get to do it with Redwood, a musical that means so much to me, makes it even more special,” Menzel said. “This show has lived in my bones for 15 years, from the very first time Tina and I discussed working together. Finally getting to do it on Broadway is really a dream come true.”

No other casting announced yet, but very tall actors will be required to play the trees.

OJ Simpson Killed Two People 30 Years Ago, For 16 Months I Broke a Lot of Stories About It

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I can still remember getting out of the shower after 7am on June 13, 1994. The radio went off and there was a report that famed football player and actor, Hertz pitchman OJ Simpson was going to be questioned about the murders overnight of his ex wife and her friend.

It seemed impossible. OJ Simpson? Everyone loved him. It had to be a mistake.

I was writing the Intelligencer column at New York Magazine back then, with Pat Wechsler. There was no internet, and we were 3,000 miles from Los Angeles. I just started calling friends out there, asking if they knew anything. One of my friends’ friends knew Nicole’s former housekeeper, they said. That was a beginning, and then for the next 16 months OJ Simpson took over my life.

As we all know, what followed was the Bronco chase. That was the first time anyone heard the name Kardashian, and it’s echoed through the decades like a punishment. We also heard about Al Cowlings, driving the Bronco, keeping the police at bay and OJ alive. What seemed like a high speed chase was actually a low speed chase that included a visit to the grave and an eventual return to Simpson’s house.

As time progressed, and I went to LA to cover the trial, I pursued every story I could find. Similar murders, nightly friends of Goldman, shady friends of Nicole, anyone who would want them dead. Where was Kato? What did he know? What did his friends know? Could Jason Simpson, OJ’s son, have done the deed? (No, I found his alibi immediately — he was working but he lawyered up.)

There were a bunch of friends who had interesting connections: Grant Cramer, Robin Greer. How about Simpson’s neighbors, Cora and Dr. Ron Fischman?

I even interviewed the guy who sat next to OJ on the plane to Chicago to LA.

And then I interviewed the guy who sat next to him on the plane back.

By the time I got to the preliminary hearing in December, all hell had broken loose.

When Lawrence Schiller (then a brother-in-law of Regis Philbin) got in the mix, I wrote about it. I was there when Judge Ito held up the proceedings for 38 minutes so he could meet in chambers with Larry King. When they emerged from backstage, Larry shook hands with all the lawyers in the court on both sides. That’s when we knew Judge Ito had lost control, and the trial had barely begun.

On March 13, 1994, I reported that OJ houseguest and witness Kato Kaelin violated the judge’s order and sold a book for $1 million. His ghostwriter Marc Elliot told me about it during a conversation about something else. (The clip is missing from the archives but I referred to it again in May.) Marcia Clark was putting Kato on the stand, and didn’t know about the book until we told her. She turned Kaelin into a hostile witness.

One big break I published in the July 24, 1995 issue: OJ was probably going through steroid withdrawal when he committed the murders. I’d interviewed, by fluke, the ghostwriter of Al Cowlings’ never published book proposal. This man discussed Cowlings’ interviews with his brother-in-law, a Harvard forensic psychiatrist. They concluded that Simpson was spiraling and that by the time he was in the Bronco, he was gaga.

Here’s the link. Marcia Clark ignored it. We were told she didn’t want Simpson to have a chance of pleading diminished capacity. In the article, I mention Dr. Rob Huizenga, a steroid expert, who Robert Shapiro hired immediately. Huizenga eventually took the stand and testified for Simpson. Years later I asked him why the steriods never came up. His answer? “Some guilty people are set free.”

There’s more, so much more in the NY Magazine archives. My lunch with OJ’s secretary, Cathy Randa. The story of Faye Resnick, who published a book with sleazeball Michael Viner claiming she and Nicole were lovers. There was no end to the weirdos in the side show as the trial ground on and on. But there were plenty of supporters who got me through it: My late friend, author Joe Bosco, was a nightly sounding board. He was in the courtroom nearly every day. Many times I drove downtown from the Chateau Marmont with the legendary Dominick Dunne. I was in awe of him, and we talked shop constantly. The late John Connolly debated the case with me also, daily.

After the trial, I wrote extensively about Nicole’s sister, Denise Brown, and the 501c3 she established called the Nicole Brown Simpson Foundation. It was a fraud. The Browns lived on the money they collected. (They’d been very greedy during the trial, selling videos of Nicole and OJ’s wedding, among other things.) Eventually, all the money gone, the Foundation was shuttered.

OJ was acquitted October 2, 1995. After a punishing run, I was done with him. A lot of what I reported came out in the civil trial, which was a great relief. Simpson was found responsible for the two deaths, and the Goldmans were awarded $31 million. I’ve thought about them a lot over the years. Nothing — not even OJ eventually going to jail for nine years — will ever console them over the senseless murder of Ron.

And so it went.

The New Yorker Blows the Whistle on Google, and They’re Not Alone

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Little by little, there is growing anger at Google for their mistreatment of small websites.

Since last September, Google traffic has dropped by 75% as the company has shifted to AI in indexing sites, searching them, and recommending them. Because th sites are tied to Google Adsense for advertising, all revenue has dropped to perilous lows.

Google doesn’t care. You can read about the latest frustrations in The New Yorker. It is, to use an expression, a “shit show.” The New Yorker article comes on the heels of a May 29th report described here and other venues: Google Search Algorithm Leak: Internal Docs Reveal Secrets of Ranking, Clicks, and More.

The fact is, Google is killing us, and lying to the so-called Search Engine Optimization “experts.” Those people are finally admitting they have no idea what to do anymore. Everything they’ve been told is untrue.

When will the government intervene? After business is burned down to the ground? Possibly. As the New Yorker article states: “S.E.O., in a way, has turned out to be a failure, in part because its best practices have proved too easily manipulable.”

Comments? Complaints? showbiz411@gmail.com

“Barbie” Movie Gets a Shocking Unofficial Tie-In from Russian Rifle Maker at NRA Convention

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Last summer, the movie “Barbie” was the talk of the town. It made hundreds of millions at the box office and sold tons of merchandise for Mattel.

Now come reports that a “Barbie” AK-9 pistol was featured at the recent National Rifle Association convention on May 17th in Dallas. It’s made by Kalashnikov, a Russian company with a Florida outpost and a shady background. (The display was found by researcher Devin Hughes, President of GVPedia.org.)

One gun offered on www.outlawordnance.com is a “Kalashnikov Barbie 9” an AK-style pistol for $1,299. Perfect for when Barbie loses patience with Ken, or can’t the attention of the other Barbie’s!

No word yet on whether Mattel or Warner Bros. has done anything to stop Kalashnikov from using their branding. But gun safety advocates, like www.SaferCountry.org, are furious, and wonder why Mattel, especially, hasn’t put an end to this.

“We challenge Mattel to take a public stand against this and hope everyone associated with the wonderful movie, Barbie, will do so too.”

Here’s a video showing how to use an AK-9, just in case there’s Bad Kenergy in the air.

photo courtesy of Devin Hughes

Oscars Gov Awards to Quincy Jones, James Bond Producers, “Love Always” Director, Famed “Schindler’s List” Casting Director

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Quincy Jones is getting a Governors Award from the Oscars. It’s about time!

The Academy has announced its Lifetime Achievement winners for this year, which will be handed out in the fall.

Academy Honorary Awards will go to Quincy Jones and Juliet Taylor, the Jean Hersholt Humanitarian Award to Richard Curtis, and the Irving G. Thalberg Memorial Award to producers Michael G. Wilson and Barbara Broccoli.

The latter two are producers of the James Bond movies.

Curtis’s film credits include “Notting Hill,” “Bridget Jones’s Diary,” “Love Actually” and “About Time.” He earned an Oscar nomination for his screenplay for “Four Weddings and a Funeral.”

Jones has produced and composed an expansive body of work. His film credits include “In the Heat of the Night” and he has earned a total of seven Oscar nominations for his work on such films as “In Cold Blood,” “The Wiz” and “The Color Purple,” receiving a Best Picture nomination for the latter. In 1967, Jones was the first Black composer to be nominated in the Original Song category. Throughout his career, he has collaborated with Lesley Gore, Michael Jackson, Frank Sinatra, Steven Spielberg and Oprah Winfrey, among others. Jones was the recipient of the Jean Hersholt Humanitarian Award in 1994.

Lewis is famed for casting nearly all of Woody Allen’s movies, as well as hits like “Schindler’s List” and “Sleepless in Seattle.” She’s a legend.

“The recipients of this year’s Governors Awards have set the bar incredibly high across their remarkable careers, and the Academy’s Board of Governors is thrilled to recognize them with Oscars,” said Academy President Janet Yang. “The selection of Michael G. Wilson and Barbara Broccoli is a testament to their success as producers of the fan-favorite Bond series and their contribution to the industry’s theatrical landscape. Richard Curtis is a brilliant comedic storyteller whose tremendous charitable efforts embody the meaning of the Jean Hersholt Humanitarian Award. Quincy Jones’s artistic genius and relentless creativity have made him one of the most influential musical figures of all time. Juliet Taylor has cast iconic and beloved films and paved a new path for the field. Their profound love of cinema and indelible contribution to our art form make these five individuals truly deserving of these honors.”

Broadway: Tony Awards Invite “Stereophonic” to Perform on Show After Online Complaints

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The Tony Awards — coming this Sunday — are acquiescing to a big public complaint. At first it seemed like they were not going to allow the play with music, “Stereophonic,” to perform on the show.

But after a lot of negative press — including this column — “Stereophonic” will get to play one of their Fleetwood Mac like songs on the Tonys. The Tonys say this was after all the complaints. But a TV insider says this may have all been planned PR to get people’s attention for the Sunday show.

One irony of this year’s Tony awards is that “Stereophonic” is entered as a play, not a musical. So it’s up against “Appropriate,” a hit play with no music. But “Stereophonic” is also up for Best Score nonetheless. The most nominated musical, Alicia Keys’s “Hell’s Kitchen,” is not.

Confused? How can “Hell’s Kitchen” be best musical without the best score? Good question. How can the best score go to a play? And should a play with music be competing with a regular play?

I guess we’ll find out out all these answers on Sunday. I would give best musical to “Suffs,” because it has the best score of all original songs by one composer. But that may be an old fashioned idea!

Eric Clapton Goes from Anti-Vaxxer to Pro-Palestinian, Backs Antisemite Roger Waters and UK Right Wing Politician

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Eric Clapton is determined to destroy whatever legacy he had.

The rocker has posted to social media that he supports antisemitic former Pink Floyd member Roger Waters and a right wing UK politician named Andrew Feinstein. Clapton, already an anti-vaxxer and often described as a racist, is now pro-Palestinian and anti-Israel.

He wrote on Twitter X:

“Along with my dear friend Roger Waters, I stand in support of Andrew Feinstein, independent candidate for Holborn and St Pancras, in his fight for the children of Gaza, for the freedom of the people of Palestine, and for the soul of the human race… Against the genocide in Gaza… For love and Truth… Eric C”

Waters’s move to the right against Israel and the Jews has been going on for more than a decade. He’s appeared on stage in a Hitler costume and used a swastika for a backdrop.

Feinstein is a self-loathing South African author and activist who’s turned the idea of apartheid in his own country into a campaign against Israel. He’s a fan and friend of Jeremy Corbyn, former UK Labour Party leader often accused of antisemitism in Britain. Feinstein now lives in London and says he will run for office in the Labour Party.

Clapton himself has been accused of racism in the past, so antisemitism shouldn’t come as a surprise. Clapton asked “foreigners” at a 1976 show to raise their hands before suggesting they “should all leave.”

“Not just leave the hall, leave our country… I don’t want you here, in the room or in my country,” he said in part.

“The Black w— and c—- and Arabs and f—— Jamaicans don’t belong here, we don’t want them here,” Clapton added. “This is England, this is a white country, we don’t want any Black w— and c—- living here. We need to make clear to them they are not welcome.”

He called England “a white country” made “for white people.” Clapton supported right wing Conservative minister Enoch Powell. His statements inspired the Rock Against Racism movement in the UK in the late 70s. The irony, of course, is that all of his music is based on Black music, especially the catalog of the late blues man Robert Johnson, whose songs he now owns.

Contemporary blues musician Robert Cray broke with Clapton and quit their tour in 2021 after Clapton compared the pandemic lockdown to “slavery” in a song written by Van Morrison.

On a personal note, I am done with Clapton now. “Layla” for decades was my favorite song. Carol Miller used to play it on the radio for me on my birthday. But that’s all over now. He doesn’t know what he’s talking about on any subject, and doesn’t care that he might be influencing opinion to harm people’s health and perpetuate antisemitism. The only thing he’s said that true is that there are tears in heaven.

This is one result of Clapton and Waters’ racism:

Bon Jovi’s Run at Number 1 Was Not “Forever” as Taylor, Billie Retake Top of Chart After 5 Days

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Bon Jovi’s new album debuted at number 1 on Friday on iTunes.

The album, called “Forever,” lasted five days in the top spot. But today it’s number 3, as Taylor Swift and Billie Eilish have pushed past it.

“Forever” has not engendered must streaming, and no tracks from it have caught on. But this is to be expected with legacy acts. Radio refuses to play new songs from the classic rock artists who keep them going 24/7.

Everyone from the Rolling Stones to Bruce Springsteen have experienced this strange phenomenon. Frankly, they should just pull their music off FM radio entirely. But they won’t.

“Forever” will barely last a week and then it will be gone. Since Jon Bon Jovi says he can’t tour to promote it, a lot of hard work will go down the drain. Too bad.

NBC Cheaps Out, Cuts Seth Meyers’ Live Band from Show Beginning in September

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We can’t have nice things.

NBC has proven that by cheaping out and cutting the live band from Seth Meyers’ talk show after 11 years.

Starting in September, reports Vulture, there will just be canned music. The 8G Band, often starring Fred Armisen, will be gone. Musical director blabbed the news to the New York magazine site today. He said, “What are they going to do, fire me again?”

The Late Show starring Seth Meyers is one of the best shows on TV, although NBC does little for it. Meyers and his writing staff put on a sharp, smart hour every night. Their “A Closer Look” segment should have won a Peabody already.

The band is exciting because they’re much more versatile than the Roots, on earlier with Jimmy Fallon. The Late Show is going to seem a little dry without them.

But look at late night TV: Meyers has no competition. ABC has “Nightline.” CBS has a show that costs nothing that no one’s ever watched since James Corden closed up shop. NBC would probably put on an AI show if they could get away with it.

What other cuts does NBC have coming? Maybe they’ll animate the “Law & Order” shows. We can only wait and see!

https://www.vulture.com/article/seth-meyers-late-night-band-goodbye-eli-janney.html#/

WSJ: Paramount Merger Talks with Skydance Have “Stopped” On Brink of Vote

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UPDATING:

Jessica Tonkel of the Washington Post says talks to merge Shari Redstone’s National Amusements aka Viacom, the company that owns Paramount and CBS, have “stopped.”

There was a vote going to merge NAI with David Ellison’s Skydance. It was presumed until the meeting that it was all going to happen.

But as in “Succession,” nothing goes to plan. So discussions have “stopped.” WSJ gets a big scoop. But it’s bad news for Paramount. If they can’t make deal here, and go back to a Sony deal, the company will be pulled apart and sold for junk. (See Time Inc.)

More to come…keep refreshing…