Monday, June 29, 2026

These are the “Days of Our Lives”: Peacock Renews Venerable Soap Opera for Two More Seasons

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We’ll be seeing more Satan worship and adultery for the next two years on Peacock.

NBC’s streaming service has renewed “Days of our Lives” for seasons 59 and 60 beginning this fall. The show is currently in the middle of season 58.

Things looked dicey for “Days” when NBC took it off broadcast TV and sent it to Peacock. No one has any idea who’s still watching but it must be enough people to satisfy the execs. When the show left NBC it was getting around 1.6 mil eyes a day.

This week, “Days” is bringing back two very popular actors, Kristian Alfonso and Peter Reckell, the latter’s character via a science fiction story line. (The character died a long time ago.) They let go a number of minor characters to make room in the budget. But the PR campaign, I guess, has worked.

Kudos to headwriter Ron Carlivati, who’s won a bunch of awards for writing the show. He manages to keep the older cast — a dozen or so actors over the age of 60 — on the air several times a week, inventing new stories for them. Yes, Deidre Hall is still there– since 1976! — and three more have been there for 50 years including Susan Seaforth Hayes and her real life husband, Bill Hayes, now age 97! Unreal!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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