Tuesday, June 30, 2026

Box Office: Gerard Butler’s “Plane” Crash Landing, New “House Party” Ends Early as LeBron James Misses Shot

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It wasn’t a very successful weekend for new films at the box office.

Gerard Butler’s “Plane” literally crashed. (It’s a movie, and it failed, so you can say literally.) The total was $11 million through tomorrow, although just $10 million for the four days from Thursday through Sunday. What’s it about? I guess, a plane. They couldn’t call it “Airplane!” for obvious reasons, and if they’d called it “The Plane,” there would have been “Fantasy Island” memes. Maybe they should have called it, “Winging It.” Or, just “Plain.”

Warner Bros. released a dead on arrival remake of “House Party” involving LeBron James as producer. Critics hated it, and audiences weren’t interested. Total b.o. for the weekend was around $3.5 million, Also the audience score was just 62%. LeBron James’s name is a pull for basketball but not for movies. Live and learn.

Meanwhile, “Avatar The Way of Money” is heading to $2 billion worldwide. The US part of that is $562 million, which sounds like a lot (and it is ) but it’s no “Black Panther” (the first, good one) or “Top Gun Maverick.” Never underestimate the international audience. They like images. And apparently, blue ones.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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