Thursday, May 21, 2026

“9 to 5” Reunion Set for Final Season of “Grace and Frankie” as Dolly Parton Joins Jane Fonda, Lily Tomlin in Series

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Netflix has saved the best for last.

Dolly Parton is joining Jane Fonda and Lily Tomlin for the seventh and final season of “Grace and Frankie.”

This will be a 40th year reunion of the gals from “9 to 5,” who made that comedy such a smash hit when it was released in 1980.

Since then, Jane, Lily, and Dolly have remained close friends. There was a TV spin off on ABC of “9 to 5” that ran for one season, and on which Fonda made a special appearance. There was always talk of a sequel to the famed film, but nothing ever developed.

The news that the ladies will reunite on the final 12 episodes of “Grace and Frankie” should make the show’s drop day — that’s when Netflix reveals an entire series at once — a big one.

PS What about Dabney Coleman? He was the co-star in “9 to 5,” who played the boss, Franklin Hart. Coleman — with a long celebrated career — will turn 90 on January 2, 2022. His last listed credit was playing Kevin Costner’s dad in “Yellowstone” in 2019.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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