Saturday, June 27, 2026

Anna Wintour Plans Next Met Ball, But Expenses for 2017 Gala Exceeded Met’s Grants and Fellowship Program by Almost $2 Million

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Time for another Met Ball! Anna Wintour announced it today. Has something to do with clocks.

The annual spring Halloween party at the Metropolitan Museum is costing more than ever, it seems. For the 2018 Ball, according to the Met’s Form 990, called “Heavenly Bodies: Fashion and the Catholic Imagination,” the direct expenses were $4.1 million– a $300,000 increase from 2017. And get this: the total amount the Met spent on grants and fellowships in 2018 came to just $2.7 million– down from $3.44 million the previous year.

Is there something wrong here? Shouldn’t the Met Ball be self-sufficient? What’s the point of having it?

Gross income from the 2018 Costume Institute gala was just $302,500. Total receipts came to $13.1 million. Revenue less contributions was $12.8 million. The Ball is a lot of effort that doesn’t produce much revenue and shows a loss on the Form 990 for Met fundraising projects of over $5.5 million.

Who knows? By the time May 4th rolls around, Anna’s guests may all be wearing Christian LaCroix face masks! The co-chairs for this year: actresses Emma Stone and Meryl Streep, Hamiltoncreator Lin-Manuel Miranda, and Louis Vuitton’s creative director, Nicolas Ghesquière. I’m sure they’ll come up with something. But isn’t there some sponsor to pay off that $4 mil in expenses?

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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