Saturday, July 25, 2026

Golden Globes Saved “Green Book” Last Year and Sent it to the Oscars, This Year: “1917” Anointed from Obscurity

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Even with Ricky Gervais straining to attack the Hollywood Foreign Press Association, the Golden Globes performed their second annual act of movie rescue last night.

Choosing Sam Mendes’s “1917” as Best Picture, and Mendes as Best Director, completely toppled the apple cart that had been the conventional wisdom so far this season. If you followed the critics groups in the major cities, either “The Irishman” or “Parasite” looked like the ultimate winner. “1917” had no buzz or momentum.

But you may recall, I wrote that Mendes’ amazing “one-take” film about World War I was a masterpiece from the first screening. I was surprised that it wasn’t getting more critics’ attention.

But the same thing happened last year with Peter Farrelly’s “Green Book.” None of the critics groups liked it. Everything was “Roma, Roma, Roma.” Then came the Globes, which resurrected Farrelly’s movie, and the path to the Academy Awards was made clear.

Will it happen again? In past years, the Academy zagged after the Globes zigged. The Globes were not a precursor of anything. Indeed, a better bellwether was the Critics Choice Awards, which will air this Sunday on the CW Network. Those awards will influence final Oscar voting. The Academy Awards nominations come on Monday morning. So hold on to your hats!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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