Saturday, July 25, 2026

Netflix’s Main Oscar Entry, Martin Scorsese’s “The Irishman,” Will Play in Theaters for Three-and-a-half Weeks Before Hitting Pay Platform

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Netflix is looking to change the norms for movie releases once again.

The pay platform will release Martin Scorsese’s “The Irishman” into theaters on November 1 for just 27 days, or 3 1/2 weeks. Then it will arrive on our TV and computers.

This is Netflix’s main Oscar entry, and the hope for it to be a massive hit that scores multiple awards is carried by fans as well as executives. Reuniting Scorsese with Robert De Niro and Joe Pesci, adding Al Pacino and Bobby Cannavale, “The Irishman” is our last vestige of hope in a bleak world right now.

But Netflix is toying with the Motion Picture Academy and its members. Just as with “Roma,” the platform wants the Oscars but on its own terms. “Roma” won Best Foreign Film and not Best Picture last year because of it.

Seeing movies on a big screen makes a huge difference. I loved “Roma” when I saw it on the screen at the Walter Reade Theater. But later, “civilians” who watched it on Netflix told me they found it “boring.” How could that be? “Roma” is a great piece of art. But seeing it on a small screen diminished its importance, even if the screen was 70 inches. Being at home, with life’s interruptions, killed the experience.

So Netflix will have to deal with that problem this time around. But at least “The Irishman” is in English, is action packed (we hope), and has a well known, beloved cast. No one will find it “boring.” Theater owners may not be happy with their showcase window. Scorsese may not be either. But those first 27 days will create a clamor, that’s for sure!

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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