Saturday, July 25, 2026

Taylor Swift Album Sales Won’t Match Previous Four Releases, “Lover” Will Sell Far Less than 1 Million Copies for First Week

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I told you last week this was happening:

Taylor Swift’s new “Lover” album will debut with significantly lower numbers than her four previous albums.

“Lover” sold 230,000 copies on Friday and Saturday per Buzz Angle Music. Of that number 175,000 represented paid downloads and CD sales. The rest was from streaming.

Swift is not a big streaming act, and the results are going to be lower  sales overall. Hitsdailydouble and Republic Records have scaled back expectations for first week US sales to around 750K. That’s not a small number, but a 25% drop for Swift if it bears out.

What’s going on? Swift’s record buying population is aging out now, sorry. She had a great run, but her teen girls are now in college or older. Plus, the new music doesn’t sound a lot different than the old music. There’s nothing innovative going on at this point. Does Swift even have a manager or anyone she listens to? It’s unclear.

Her performance on tonight’s MTV VMAs may drum up more business. But frankly, Swift’s appearance on “Good Morning America” on Friday should have sold more units. On Wednesday we’ll be able to see what the trend was for “Lover.”

Swift isn’t alone in having to face generational changes. Beyonce already saw that this summer with her “Lion King: The Gift” album. Adele may be next to feel the heat. Cultivating and keeping a record-buying audience can’t be taken for granted.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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