Friday, July 3, 2026

RIP Shelley Lazar, Queen of Rock and Roll Tickets, Age 69, the Mother Hen of Rock Stars, Fans, Groupies, Press

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Shelley Lazar was the mother hen of rock and roll. She worked her way up and made a business out of ticketing rock and roll concerts, especially Paul McCartney’s. I am sad to report that she died this morning from cancer at age 69.

Everyone loved Shelley. When there was a big show she was there to take care of you. She loved the music and she loved the artists. There will never be anyone else like her. In 2008 she sold her company to Ticketmaster but that didn’t mean she went away. She loved the business too much. She took care of everyone: fans, groupies, press.

I always worried about Shelley. Back in June 2011 we were at a performance of “Spider Man: Turn off the Dark” on Broadway. Shelley fell on the stairs coming down the aisle of the American Airlines Theater and broke her wrist. I tried to catch her, so did a couple of other people. She got up and brushed herself off before she was taken by ambulance to a hospital.

Everyone will say this: Shelley has a VIP ticket in heaven. Yes. But she had one with all the people who knew her. Her death is a real loss, coming in a week of losses. She will really really be missed.

photo courtesy of Richard Kerris

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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