Friday, July 24, 2026

Pop Charts: Beyonce Tops Actual Sales, But Drake Trounces Her with Streaming Numbers

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A wild week on the pop charts:

Beyonce’s “Lemonade” is number 1 with 95,000 copies in physical CDs and paid digital downloads. Her total number was 131, 047 if you add in streaming.

But Drake’s “Views”  total came to 240,621 with streaming. Without streaming, Drake was number 2 with 85,250.

Who was number 1? Beyonce– her “Lemonade” is pricey at $17.99 and you need it physically to get the videos.

Drake– that audience seems not to need the music in their hands. They don’t mind just listening over and over on streaming services. Trust me, Drake would rather they bought it.

Where are real music fans? Cyndi Lauper’s country album produced by great Seymour Stein had no streams and second week sales of 4,900. This is a real shame. But this is the problem with Rhino, a great catalog company that can’t do new releases. They’re not equipped for it.

Taylor Swift’s “1989” album had a sales spike this week thanks to deep discounting to $7.99.

Kanye West’s “Life of Pablo,” the most botched record in modern history, is still not available for much of anything. No charting for digital downloads at all this week. Streaming came to 20,000. “Pablo” didn’t generate enough cash for Kanye to buy baby food this week. Maybe he doesn’t care.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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