Thursday, July 23, 2026

Oscars Surprises: “Spotlight” Best Picture, Stallone Stopped, Gaga Gagged

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The biggest surprises of last night’s Oscars? First, “Spotlight” prevailed as Best Picture even though most Oscar prognosticators had moved on to “The Revenant” or “The Big Short.” The movie with the big idea wins Best Picture. “The Revenant” was a technical achievement. “Spotlight” was a human story. Bingo.

I know for a fact that if I ever hear the word “Chivo” again I will start screaming.

Second: Sylvester Stallone almost got an Oscar for “Creed.” He won every other award. I thought he deserved the Oscar. He was very good. Instead, two things happened. One, the Academy decided to rebuke the Golden Globes. This happens all the time. Second, the Academy recognized that Mark Rylance is really brilliant, maybe the best stage actor in the world, and that his late entry into movies had to be rewarded ASAP. I am happy for Rylance. I am sad for Stallone.

Third: the travesty over Best Song was outrageous. Diane Warren and Lady Gaga should have won. That Sam Smith song from “Spectre” is the worst James Bond theme in ages. I am convinced that voters just marked it off because it was from a James Bond movie. Warren and Gaga were out and out robbed. Blech.

More later Monday on the parties, and all the juicy stuff from around town on Oscar night…

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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