Wednesday, July 22, 2026

Tribeca Film Festival Will Open with Fawning, Tedious Film about Anna Wintour and Met Ball

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Why do the Taliban hate us? Isis? Isil? Al Qaeda? The answers will be found in the Tribeca Film Festival’s opening night film, “First Monday in May.” (This has nothing to do with “First Monday in October,” an old play that starred Jill Clayburgh as the first female Supreme Court justice.)

No, this is all about Anna Wintour and her annual pageant at the Metropolitan Museum of Art. Celebrities comes in outrageous designer dresses, and there’s a lot of fawning. Kardashians are allowed in proper company. And so on.

Haven’t there been enough documentaries about Vogue magazine? Didn’t “The September Issue” fill this need? Alas, that movie showed Grace Coddington– recently ousted from Vogue–as a sympathetic survivor to the Wintour regime. Now, in “First Monday in May,” Wintour wears sunglasses at indoor meetings and makes snarky comments about her guests. Wait– wasn’t that “The Devil Wears Prada”? And where is the upbraiding after Wintour’s mugging in “Zoolander 2,” a flop that she featured so prominently on Vogue’s cover this month?

Anyway, Tribeca is as far away as it could be from the Met and the Costume Ball. I wish the opening night film had less to do with a party than with independent filmmaking. And really, the sunglasses are getting old at this point.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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