Monday, June 22, 2026

Mel Gibson Art Work Mystery Solved

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Crazy Mel Gibson gets very nuts in his taped conversation with Oksana Grigorieva about being broke. He screams at her that he had to sell art work.

In fact, Mel and ex wife Robyn sold their estate in Greenwich, Connecticut last year. They put up for auction at Christie’s $15 million worth of paintings by Maxfield Parrish that used to decorate the home. The sale was announced in March and took place in May.

The Gibsons had bought the Parrish paintings from a New York gallery. In 2006, the same year they now say they separated, the couple spent the most ever for a Parrish painting–$7.6 million for “Daybreak.”

But they bought at the top of a bloated market, and sold in a recession. They lost money when they had to sell. “Daybreak” sold at Christie’s for $5.2 million–well below what they paid four years ago.

Maxfield Parrish is an acquired taste, to be sure. Some other big collectors include Whoopi Goldberg–who defended Mel on “The View” recently–and Michael Jackson. “Daybreak” is what you might call pedestrian art–easily obtained in a good print for about $25.

The Gibsons, not known for being art collectors in the first place, sound like they were a bit naive when they made the original purchases. Mel might be better off sticking to paintings of dogs playing poker, on velvet.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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