Thursday, May 21, 2026

Sundance X-Out Charli XCX Movie Mockumentary About Brat Pop Star on the Road: Panned by Reviewers as “Not Really Satire, Just Chaos”

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Just a few months ago, Vanity Fair declared pop star Charli XCX as the next queen of Hollywood. They even put her on the cover.

Alas, the singer’s first project promoted from that article has been a bust at the Sundance Film Festival.

“The Moment,” a mockumentary about the singer on tour, has been panned by reviewers on the scene in Park City, Utah.

So far it’s garnered a 62% on Rotten Tomatoes.

Fred Topel of UPI echoed many sentiments when he wrote: “It’s not really satire. It’s just chaos.”

He continued: “The movie is full of stereotypical entertainment industry characters but they don’t combine for funny or clever scenes.”

“The Moment” seems to be an attempt at making an updated “Spinal Tap” except without the wit and wisdom of the late Rob Reiner.

Charli XCX is a successful pop star whose “Brat” album was an out of the box hit two years ago.

But “The Moment” appears to be a miscalculation from studio A24. It will be released on January 30th.

As for Vanity Fair, they know how to pick ’em.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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