Thursday, June 25, 2026

Trump Latest Grotesque Move: A $15 Billion Lawsuit Against the NY Times, Paper Says “Will Not Be Deterred by Intimidation Tactics”

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You don’t even want to say Donald Trump’s name aloud on a morning when we mourn someone as accomplished as Robert Redford.

The grotesque fascist continues to test the First Amendment and the right to free speech. He says on his social media that he’s filed a $15 billion lawsuit against the New York Times. He’s also recently sued the Wall Street Journal, as well as the major television networks.

The Times’ response is below. “The New York Times will not be deterred by intimidation tactics,” they declare.

In the cases of the latter, the networks caved and settled. But it’s unlikely the Times or the Journal will do the same. Still, Trump continues to make a mockery of the Constitution, using bullying, dictatorial tactics to shut his critics.

This insane lawsuit and social media post are only part of the freeze Trump is attempting on the right to speak up. Critics of just murdered blogger and right wing activist Charlie Kirk are being denounced and losing jobs in many quarters not just in the media. Two hundred and fifty years of history and law are now threatened by one very mentally ill mad man. And it’s only getting worse.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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