Monday, July 6, 2026

Marvel’s Back as “Thunderbolts*” Takes $20 Mil Friday for $31 Mil Opening Night with Previews

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Marvel’s “Thunderbolts*” had a pretty good Thurs-Fri opening night.

The result is that the Avengers are back, or at least the New Avengers.

With a total opening of $31 million, “Thunderbolts” will pick up another $40-or-$50 million Saturday and Sunday.

***********SPOILERS*********

Why the asterisk, you might ask? Not to give it away, but “Thunderbolts” is actually not the title of the movie. Go to theater to find out what’s going on. Avengers fans won’t be disappointed.

So there’s life in this thing after all. Looks like “Thunderbolts*” is not only a hit but a clever, meta idea that should whet the appetites of Avengers fans for the next trilogy with Dr. Doom and pals.

The other big story, of course, is that “Sinners” continues to be sold out and a total smash hit. I have a question, though. Why is the main character named Sammy Moore? Set in Memphis among R&B and blues, it would seem to be a tribute to the late Sam Moore of Sam & Dave. Maybe someone who knows Ryan Coogler can ask him. (I haven’t seen him since “Fruitvale Station.”)

No box office report for “Rust,” Alec Baldwin’s unfortunate movie. It’s only in a handful of theaters, and no one’s going anyway. Tell me again why they finished this movie.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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