Monday, July 6, 2026

Trump Lawyers Trumped by Special Prosecutor on Protective Order, Who Claims “Defendant Intends to Litigate Case in the Media” (Read Here)

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Where were we?

Special prosecutor Jack Smith filed for a protective order with the court to stop Donald Trump from talking about details of his case in public.

Trump retaliated by posting a bunch of crazy messages on his social media deriding Smith, the judge, Nancy Pelosi, and the US Women’s Soccer Team. Then Trump’s lawyers filed a response to Smith saying his First Amendment rights would be hurt if Trump couldn’t blab about every single piece of material being prepared for the trial.

Smith has now made mincemeat of Trump’s lawyer’s response to the protective order. Filed tonight, Smith writes:

“The defendant’s proposed order would lead to the public dissemination of discovery
material. Indeed, that is the defendant’s stated goal; the defendant seeks to use the discovery
material to litigate this case in the media. But that is contrary to the purpose of criminal discovery,
which is to afford defendants the ability to prepare for and mount a defense in court—not to wage
a media campaign. The Court should instead enter the Government’s proposed order.”

You can read it all here.

Now we wait for Judge Chutkan’s response.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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