Wednesday, June 24, 2026

Radio Nowhere: Audacy Destroys Gold Standard 60 Year Old WCBS Newsradio 88, Flipping to ESPN Sports

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After 60 years, WCBS — Newsradio 88 in New York — is over.

Their parent company, Audacy, which barely exists anyway, has destroyed a New York standard bearer.

Maybe as early as today, WCBS — including the call letters — will be replaced by an ESPN sports station.

That leaves New York with just one all news station. WINS continues to operate at 1010AM, but that will change soon, too. Little by little, WINS has been identifying itself as 92.3 FM. Audacy will pull the plug on WINS 1010AM soon, trust me.

As a devoted listener to both stations, I am outraged. I’m sure I’m not alone. But to be honest, Audacy has managed to screw everything up. But there’s no advertising. These stations all rely on garbage bottom feeding ads from things like Balance of Nature, and other non FDA approved snake oil for various ailments.

WCBS 880 will broadcast a live commemorative special, “WCBS 880 News: The People, the Moments, and the Events that Shaped our Lives,” on Aug. 22 from 10 a.m. to 1 p.m. The special edition of “Newsline” with Brigitte Quinn will include interviews and historical clips.

A disgraceful and ignominious end for the gold standard in local news broadcasting.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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