Wednesday, May 27, 2026

Box Office: Beyonce’s Renaissance Tour Movie Has Disappointing Opening, Looks at $23 Mil Weekend

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Beyonce’s Renaissance Tour movie will not approach Taylor Swift numbers.

Opening night including Thursday previews came to just $11 million. Another $12 million is likely tonight and Sunday, bringing the total to $23 million.

You can see the trend already. There are a couple of sold out shows in the major markets. But otherwise Beyonce is not drawing her fans to movie theaters, and certainly not the same as Swift.

One reason for this is that she doesn’t have a great social media relationship. Beyonce is a great singer but not a warm, interactive personality. Swift’s fans are like cult members. Beyonce’s regard her as standoffish royalty. She gave no interviews for the film and ignored the press on the red carpet.

Beyonce also isn’t selling albums particularly, which Swift has now sold over 400,000 just this week.

Still, “Renaissance” has a 100% rating among a few critics on Rotten Tomatoes — few have seen it. It also a 100% audience approval. So at least fans are enjoying it.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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