Thursday, July 2, 2026

Madonna Scales Back, Makes Wise Decision to Tour “Madame X” in Prestige Theaters and Not Arenas Where She Can Sell Out Easily

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Madonna has made a very wise decision. She’ll tour her “Madame X” album this fall in prestige theaters, and not in arenas.

Live Nation’s very brilliant Arthur Fogel made the announcement, and he’s right on, too. By playing theaters Madonna will cause a commotion, make people fight to see her, and not have to worry about people like…me…writing about her not filling Madison Square Garden. Smart, smart, smart.

Plus, the first shows will be in Brooklyn at BAM at the Howard Gilman Opera House. Very classy. She’ll play there for 7 nights in September, then head to Chicago’s Chicago Theater, and then the Wiltern in Los Angeles. More dates will be announced for Las Vegas, Boston, Philadelphia, Miami, Lisbon, London and Paris. The whole thing could end in a Broadway house– my guess– or at the Beacon Theater.

It’s unclear what the ticket prices will be, but re-sellers will drive them up to a thousand bucks, no doubt. And also unknown if there will be bundles with the “Madame X” album to drive up first and second week sales of the music and ensure Madge a number 1 debut. I would think so.

Given the look of Madonna’s “Medellin” video, this seems like a great idea. “Madame X” is going to look smashing in a theater. And why fight with arenas when you’ve already conquered that…ahem… arena?

PS No word yet, but Maluma as opening act?

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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