Tuesday, June 30, 2026

“Law & Order SVU” Scores Highest Total Viewers in 3 Years as Benson and Stabler Get All Gooey

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What a night last night for Benson and Stabler on “Law & Order SVU.” They got all gooey, almost kissed, kind of professed love for each other.

And the fans went batshit crazy. The episode scored a season high of 5.6 million viewers. Advanced warning of this “SVU” romantic non event made viewers tune in early for “Law & Order” at 8pm, pushing that show’s ratings up over 5 million. Yee-hah!

That’s the biggest total viewer number since April 1, 2020, which was 8 million, when Chris Meloni returned as Elliot Stabler, his wife was killed off, and Mariska Hargitay’s Olivia Benson got misty eyed after 12 years of not thinking about him.

But the glow subsided when 10pm came and “Organized Crime” followed. Around three million people left do other things. “OC” pulled in just 2 million fans.

“SVU” is now so different from its origins. If you look at reruns, it was a hardcore procedural. Now it’s a Regency Romance novel. Very weird. But it works, brings in viewers, and just keeps going.

Will these two ever consummate their thang? Probably a May season ending cliffhanger. But that will take all the wind out of these sails. I call it ‘Benson Hedges’ after the long ago cigs, Benson & Hedges.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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