Saturday, June 27, 2026

Box Office Blues: “Avatar 2” and “Black Panther Wakanda Forever” Suck Up All the Air, Whitney Houston Beats Brad Pitt

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It was two nights before Christmas and not many people went to the movies.

Of course, really, the weather is terrible. A lot of people are snowed in, or too cold to go outside.

But still…

Last night, the only two movies that drew audiences were the equivalent of carnival rides: “Avatar 2” and “Black Panther 2.” They made millions and millions.

In the case of “Wakanda Forever,” however, the end is actually coming. The take last night was just $1 million. If the whole weekend is $3 million, then the party is coming to an end at $450 million. Sounds like a lot, but that’s $250 million short of the first episode.

Meantime, the two new releases of the week did pull a few fans. “Whitney Houston” beat Brad Pitt and an all star cast in “Babylon,” but they each cleared hurdles. “I Wanna Dance with Somebody” hit $2 million including $750,000 from Thursday. “Babylon” did less well with $1.4 million including previews.

What’s going on? Lack of product from the studios, and marketing that’s turned away from getting people into theaters. Also, streaming is doing to movies what it already did to CD sales. It’s eating it from within. The digital revolution is just that. It’s sent everyone home.

Humbug.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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