Monday, July 6, 2026

New “Thor” Movie Starts Tonight With Meh Reviews Compared to Last One: Will it Matter?

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In 2017, critics fell in love with “Thor: Ragnarok.” The third “Thor” movie from Marvel got a 93% on Rotten Tomatoes and went on to become a blockbuster.

Tonight, the new “Thor” installment, “Love and Thunder,” also directed by Taika Waititi, has previews before opening officially tomorrow. Reviewers are lukewarm, giving it 69% on Rotten Tomatoes.

The reviewers are largely unimpressed. They’re saying it’s a redo of the last movie, and kind of a hot mess. But will it matter? Probably not. Disney publicity has been in hyper drive for weeks. They’ve planted stories of so many different kinds in so many places, you can’t escape “revelations” from Chris Hemsworth or Natalie Portman on every subject.

There’s an overall feeling that Thor, the former Norse God, has become a witless bumbling fool. Waititi has turned him into a wise cracking Deadpool. And where is Loki?

The Rolling Stone review: “A collision of competing tones, subplots, conceptual big swings and chaos masquerading as pathos, this new addition to the Asgardian-gods-and-monsters corner of Marvel Cinematic Universe is a holy mess.”

Check back tomorrow. My guess is fans will flock to it, anyway. It’s rare that a Marvel Universe film isn’t embraced enthusiastically and seen over and over on opening weekend.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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