Tuesday, May 26, 2026

Box Office UPDATE: Very Low Opening Numbers for “Crimes of the Future” and Seemingly Few Ticket Sales Either

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UPDATE SAT EVENING: Variety is saying “Crimes” made $490K over Thursday and Friday. That would mean a $1 million opening weekend. Stay tuned…

SAT MORNING: Surgery is the new sex! Have a few ears added to your face!

Apparently, the movie theater audience does not agree, and is too squeamish to find out watching David Cronenberg’s “Crimes of the Future.”

The reportedly gory “body horror” movie is not selling tickets. Just a cursory look through Fandango shows almost no advance tickets purchased anywhere. I used Miami as a ground zero where there are no tickets sold for tonight so far at any of their theaters.

Neon, the small distributor which had a stroke of luck with “Parasite” and some success with “Titane,” a foreign language horror film of sorts, did not report box office numbers for Thursday or for last night. They may not have any to report even though “Crimes” is in 900 theaters. If they are 900 empty theaters, however, the new surgery might be excising “Crimes” earlier than expected.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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