Monday, May 25, 2026

Box Office: “Fantastic Beasts” Sequel Not So Fantastic in Previews, Down 33%

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This may be the end for the “Fantastic Beasts” series.

Last night, number 3, in which Dumbledore expresses his same sex love for Grindelwald, was not warmly embraced by Harry Potter fans.

The take was $6 million, down 33% from 2018’s Part 2 of the trilogy.

Indeed, “The Secrets of Dumbledore” may be ones that fans either aren’t interested in or want more in depth. Reviews are lukewarm at around 50% on Rotten Tomatoes.

The new movie also carries the baggage of author J.K. Rowling’s ignorant and inflammatory comments about trans people which have certainly turned off a big segment of the audience. The more Rowling speaks, the worse it gets, in fact.

It just may be we’ve come to the end of the line on the “Harry Potter” gravy train. It’s not like everyone didn’t make out like bandits. We’ll see what the weekend brings.

I hear Warner Bros. send out magic wands to a lot of the press. Maybe they can use them to cast a spell on the box office.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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