Monday, May 25, 2026

Ratings: Kardashians Return, This Time to Network TV, And Are Creamed by “Survivor,” “Chicago” Shows

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The Kardashians are back.

On Wednesday night America’s most avaricious, publicity-hungry family returned to TV after really not a long enough break.

They’ve left the E! channel after many seasons and made a deal with streamer Hulu. To make a splash, they added a special last night on ABC, which like Hulu is owned by Disney.

Did anyone watch them? Yes and no. But the upshot is that the K’s drew just 2.8 million viewers at 8pm. They were beaten soundly by “Survivor” on CBS (5.5 million) and “Chicago Med” on NBC (6.6 million). They trailed even in the key demos. Older audiences tuned in, but not younger ones.

Why Hulu commissioned more of this is unknown. On the E! channel, the Kardashians had fallen to an all time low in viewership. Their respective stories of fashion gluttony, divorces, and affairs were done. Completely. Their ratings last night were about on par with ABC’s sitcoms on Wednesday or daytime soap operas. The special didn’t indicate a mandate for more of these women.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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