Saturday, June 27, 2026

Radio Nowhere: So Far Adele’s “Easy on Me” Ignored by Two Biggest Pop Stations in New York, Los Angeles

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UPDATE Z100 just played “Easy on Me” at 7:03pm. It’s the first time all day that it’s turned up on their Recently Played list.

EARLIER Adele’s “Easy on Me” is number 1 on iTunes. It was released last night at 7pm Eastern.

But so far, “Easy on Me” has been ignored by the two biggest pop radio stations in the United States.

Both Z100 in New York, and KIIS FM in Los Angeles, have not given it one spin since “Easy on Me” dropped.

One would have thought this Adele fever was an occasion– first new record in six years. But ‘Easy on Me” is not so easy. It’s a kind of turgid ballad without a great chorus. Adele’s vocal is impeccable. But the song itself is not so radio friendly.

Of course, it’s possible that fan phone calls to the stations will get the ball rolling. But radio is not that easy to crack, even for Adele. They need encouragement.

Both stations publish their real time playlists, by the way, so we can see what’s on the air. And that’s a lot of Dua Lipa, Maroon 5, and Lil Nas X. But no Adele. Since both stations throw in “oldies,” i.e. recent hits, I’m surprised there’s not even older Adele hits like “Hello” or “Rolling in the Deep.”

Stay tuned…

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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