Monday, June 22, 2026

James Franco’s Big Weekend; Paul Weller Jams Up the Apollo

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James Franco had a big big weekend. His movie, Danny Boyle’s “127 Hours,” sold out all its shows in a limited run in New York and Los Angeles. When it goes wide, “127 Hours” is headed for huge box office. It’s deserved. Franco–who spent the weekend shooting his movie about Hart Crane–with his mom, Betsy, playing Crane’s mom just the way she played Franco’s mom on “General Hospital.”

Many people I spoke to over the weekend were still voicing resistance at seeing the movie because Franco as Aron Ralston cuts his arm off. My joke is, most actors would cut off their right arms to have these reviews and this first weekend box office! Look: Ralston is alive and well, and thriving. The arm cutting constitutes about five minutes toward the end of the film. It’s not so bad, and nothing we haven’t seen–or worse–in lots of much more violent films. Boyle has made a great and entertaining film. Franco is off-the-charts good.

My prediction: in the end, the Oscar race is really going to be between “The King’s Speech” and “127 Hours” with some strong jockeying from “The Social Network.” Everything else from all the Oscar bloggers/blabbers is just filler…

Paul Weller made his name with The Jam, a rebellious punk group rooted in R&B, in the late 1970s. Then Weller ditched The Jam and went heavy into soul with The Style Council. That’s two careers. Career #3 has been as a solo act for about 10 years. He’s also had three wives, so maybe there’s some correlation. Anyway, I’ve always enjoyed his work.

Weller did a show on Saturday night at the famed Apollo Theater to promote his new “Wake Up the Nation” CD. Some of it was grand; some of it was perplexing. The long guitar solos eschewed by punk rockers like Weller are now interminably thrown into some of his songs. Numbers like “Wake Up the Nation” and “No Tears to Cry” were punchy and perfect. His reworked version of Marvin Gaye’s “How Sweet it Is to Be Loved By You” is slow and smoldering.

A couple of old hits like “Start,” “Pretty Green,” and “Shout to the Top” were most welcome. Weller should draw more from his popular catalog. And am I wrong, or does an odd new song called “Trees” actually sample Paul McCartney’s “Helen Wheels”? Weird.

Paul Weller photo c2010 Ann Lawlor for Showbiz411 despite the overzealous security at the Apollo on Saturday night.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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