Wednesday, July 15, 2026

Box Office: In Its Third Week, “Wonder Woman 1984” Falls 45% to Just $3 Million at 2200 Locations

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“Wonder Woman 1984” isn’t having a magical time at the box office.

This past week it brought in just $3 million, falling 45% from its second week. The total now is at $32 million.

And it’s not like the Patty Jenkins film isn’t in theaters– it’s in 2,200 of them! The per screen average is $1,353, which would suggest 130 people at each showing. That’s kind of amazing considering social distancing, and also the fact that theaters aren’t open in New York or California.

Of course, “WW84” is available on HBO Max, so I’m sure people are watching it there.

Two smaller films, one doing well, one not so much: Carey Mulligan in “Promising Young Woman” has managed to make $2.7 million in three weeks in theaters. It looks like Focus will wait for streaming and DVD until some awards nominations come in.

Not doing well, no surprise, is the latest “Pinocchio” from Roadside, er Roadkill, Attractions. It’s made just over $1 million in 3 weeks. Per screen average was $225, suggesting 25 people per showing. Roadkill has hidden this one well despite a decent 87% on Rotten Tomatoes and the presence of Roberto Benigni (this time playing Geppetto after assuming the title role years ago in his own version).

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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