Tuesday, June 23, 2026

Nicole Kidman’s “The Undoing” Doing Pretty Well on HBO: Episode Three Brought in over 1 Mil Viewers Across Platforms

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Nicole Kidman has really struck gold with “The Undoing.”

Even though Nielsen screwed up the monitoring of Sunday night’s ratings, HBO tells me Episode 3 went through the roof. According to them, viewership Sunday night totaled 1.7 million across the linear premiere, two replays and digital, up 18% from episode 2 and 21% from the series premiere on Oct. 25. Viewing for the first episode has quickly passed 6 million.

Not bad. “The Undoing” is very different than Kidman’s previous HBO hit, “Big Little Lies.” This is a murder mystery, not social commentary. So many pundits and reviewers tried to turn it into that, and then double down on criticism. We are living in a strange time in which any fiction is instantly turned into a flashpoint. No one knows how to enjoy an old fashioned whodunit anymore.

I don’t know who killed Hugh Grant’s mistress in “The Undoing” because I’ve not been given the final episode yet. But just about every character is a candidate. And since the audience is growing week by week, I think viewers must be hooked. And PS this miniseries is going to get a ton of Golden Globe awards. It’s a no-brainer. (And a brainy one at that!)

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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