Wednesday, June 24, 2026

DisneyPlusPlusPlus: Studio Will Charge 30 Bucks Extra Over Subscription Fee to Stream Long-Delayed “Mulan” Next Month

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Disney– look, they’re suffering. The theme parks are losing money, no one’s going to movie theaters, Mickey and Minnie can’t even get stimulus checks.

So on September 24th the Mouse House will offer the long delayed “Mulan” on its DisneyPlus service for — wait– 30 bucks. On top of the subscription price. They didn’t even do this with “Hamilton.” So if you’re paying monthly or annually, that just gives you the opportunity to plunk down 30 clams to see “Mulan.”

“Mulan” will play in theaters where available for what I presume is a regular ticket price. But theaters won’t be open in New York, California, Texas, or Florida. And it’s unclear who will bring children to a cineplex in a state where theaters are open, especially if they don’t want them going to school.

“Mulan” was ready last year, but it got postponed. And then re-dated many times because of the pandemic. It has a $200 million budget, so Disney has to make that money somehow. And even the regular $20 VOD charge I guess wouldn’t be enough.

Niki Caro directed, and it’s all Asian actors doing the voices, no stars even or recognizable names. So the movie will have to stand on its own.

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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