Saturday, May 30, 2026

Movie Summer is Over as Paramount Moves Tom Cruise “Top Gun: Maverick” to Christmas, “A Quiet Place II” to Labor Day

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Movie summer is over.

Paramount has moved Tom Cruise’s blockbuster-to-be, “Top Gun: Maverick” from June to Christmas. They’ve also sent “A Quiet Place Part 2” to Labor Day. It was supposed to have opened last month.

As well, they’ve sent “The Sponge Bob Movie: Sponge on the Run,” to the end of July.

This leaves just Warner Bros. to decide if “Wonder Woman 1984” and Christopher Nolan’s “Tenet” will open this summer. But remember, they don’t have Cannes as a launching pad, and marketing general will be touchy as Memorial Day approaches.

More importantly, we have to start thinking about what’s ahead for the film world through the summer at least. The Venice, Telluride, and Toronto Film Festivals are in tremendous doubt at this point. Italy is never going to recommend thousands of VIPS arriving in Venice after what they’ve been through this year. Photo calls are the last thing they’re going to want.  As for Telluride and Toronto, things look ominous today.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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